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OSCAR MOVIES MOVIE
Some pegged the notion as straight out of Ayn Rand (this would have been her favorite movie ever), but the idea was somehow made to feel inclusive via Bird’s humor, panache and narrative clarity. Thematically, the movie’s deepest fear concerns the creeping slump of mediocrity: If greatness lies within us, why can’t we let it out? Maybe it’s because we’re told-in subtle ways-not to shine too brightly and make others feel inadequate. The plot’s spirit proved infectious, the reviews rapturous. Everything was riding on his long-germinating vision of an exceptional family rediscovering its purpose. No film on our list speaks more to the inner animal and anima is it any wonder those words are so close to animation? -Joshua RothkopfĪ superheroic family tries to blend into their quiet suburban lifestyle, but realizes that their skills are nothing to be ashamed of.īest quote: “When everyone’s super…no one will be.”ĭefining moment: “No capes!” declares Edna Mode, the film’s snooty fashionista, and we see the fates that befell some unlucky caped crusaders.įiring on all cylinders, Pixar’s first film to earn a PG rating signaled a grabbing of the brass ring: Yes, the studio’s computer animation was peerless, but could it also do marital malaise, middle-aged belly spread and sneakily ambitious philosophy-all of it tucked into spandex? Writer-director Brad Bird commanded a degree of control unprecedented since the days of old Walt himself. Yet the content was-and is-strong enough to stand on its own, a palimpsest of psychology, dreams and fear brought to life by exquisite craft.
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Critics were wowed, sensing parallels with Japan’s busted economic bubble and polluted streams. The lesson here is humility in the face of immortal forces. Chihiro is constantly (and riotously) told that she reeks she fumbles around and incites fury.
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But maybe we, as human beings, are stranger. The world is strange let’s not fool ourselves. But as brilliantly woven together by Hayao Miyazaki (at the peak of his creative gifts), the movie is basically a story about growing up. Even more thoroughly, Spirited Away is a compendium of ancient folklores-the secret lives of radishes and other gods, the sins we commit against nature, her punishments. The plot is a stew of essential anxieties: dislocation, separation from one’s parents, fear of disappearing forever. It’s a movie that emboldens children to embrace weirdness and wonder, and adults to remember how they once did. The apex of Japanese animation-to fans worldwide, all animation-is one of cinema’s finest tales of untrammeled imagination.
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Moving is a drag for ten-year-old Chihiro, until she discovers she’s meant to work in a bathhouse for the spirit world.īest quote: “There must be some mistake: None of these pigs are my parents!”ĭefining moment: Tea and cakes with the monstrous Yubaba and No-Face-a moment in the same surreal league as Lewis Carroll.